Peg Aloi
Despite the lack of background or explanation for the occult item at the center of “Talk to Me,” I found it relatively easy to suspend my disbelief and become caught up in the story’s momentum.
Read More
Director Greta Gerwig’s hard-edged but affectionate paean to Barbie is sweeter than it is satirical, slightly more perky than political.
Read More
“The Lesson” is well-crafted, infused with nervy suspense and an almost Gothic sense of unease.
Read More
This incisive drama set during the height of Thatcherism doesn’t need to amplify its relevance.
Read More
This year’s version of the iconic festival features a number of premieres, some restorations, and some screenings of well-loved cult classics, as well as a number of special guests.
Read More
The Lost King contains perhaps too many calculated moments of sentimental synchronicity. Still, it manages to soar, thanks to the excellent performance of its lead, Sally Hawkins.
Read More
In terms of genre, I would describe Wildflower as a sort of Hallmark Channel-style drama, a quirky but heartwarming tale of a scrappy girl who overcomes the odds to help her family stay together.
Read More
A bit of spring cleaning this time around, with recommendations of some fairly recent viewing choices you may have missed.
Read More
My second crop of Sundance screenings features three films that are all about women who, on some level, retreat from certain aspects of their lives: their pasts, their trauma, their public persona.
Read More
The three films I selected to start my 2023 Sundance journey were very different from one another, but they shared one common theme: girlhood.
Read More- « Previous
- 1
- 2
- 3
- 4
- Next »