Jonathan Blumhofer
An album of Brahms lieder from two musicians in their prime: Christoph Eschenbach and Matthias Goerne.
Read MoreThis Grand Harmonie program is a survey of both the mainstream and wildly experimental uses of early brass instruments.
Read MoreOverall, with Transitions Michael Nicolas proves himself a major cellist of his generation.
Read MoreThree superb albums: two focusing on works by Brahms, one featuring Hans Abrahamsen’s meditation on Shakespeare’s Ophelia.
Read MoreGhosts seems to be trying to be all things to all listeners — edgy, nostalgic, farcical, adventuresome.
Read MoreThe Rasas are but the latest in a series of remarkable scores John Harbison has been turning out over his eighth decade.
Read MoreThere’s an apparent level of trust between the BSO and its leader, best demonstrated by the spirited excellence of the orchestra’s playing of late.
Read MoreNikolaus Harnoncourt’s final recording is the conductor at his best. Bernard Haitink helmed a great performance of Mahler’s Symphony no. 1.
Read MoreFort Worth Symphony Orchestra’s heart is in the right place with the ensemble consistently erring on the right (far) side of caution.
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The 20th Annual Francis Davis Jazz Critics Poll: The Institution Continues