Jonathan Blumhofer
The emphasis of Monadnock’s coming concerts is, quite happily, American music by composers with strong ties to New England. It’s hard to imagine a more appropriate place to hear such fare or a better group of musicians to play it.
Read MoreClassical CD Review: San Francisco Symphony’s “West Side Story” — A Brashly Invigorating Performance
The music of West Side Story sounds grippingly urgent and colorful as ever in the hands of one of America’s best orchestras and conductors.
Read MoreCuarteto Casals brings out Mozart’s playfulness, Luzerner Sinfonieorchester delivers a solid Dvorak’s Sixth, and James Brawn continues to brilliantly play Beethoven’s piano sonatas.
Read MoreThe Commonwealth Lyric Theater has again brought to the fore an underperformed, unfamiliar masterpiece well worth getting to know. Good for them and lucky for us.
Read MoreThanks to CLT’s pluck and commitment to underperformed repertoire, Boston audiences have the chance to check out the rarely performed opera “Mozart and Salieri” for themselves.
Read MoreHoward Hersh hails from northern California, and, as in John Adams’ “City Noir,” the music on Hersh’s album, “Angels and Watermarks,” embraces polyglot West Coast culture in various ways.
Read MoreWhile 1962’s Symphony owes a clear debt to Stravinsky and Britten (especially its last movement), it sounds like nobody but Irving Fine. This is a score that orchestras ought to be lining up to play.
Read MoreIn a world populated by talented pianists, James Brawn is a standout. He’s not just a virtuoso, but also a probing, thoughtful musician with strong, creative programming instincts.
Read MoreConductor Charles Dutoit seems to have little affinity for Mahler’s distinctive style.
Read MorePraise is due Peggy Pearson and Winsor Music for providing a forum for the talented young composer Lev Mamuya.
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