Jonathan Blumhofer

Classical CD Reviews: Kristian Bezuidenhout plays Mozart, Arabella Steinbacher’s “Fantasies,” Maya Beiser’s “TranceClassical”

August 29, 2016
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New CDs from three outstanding musicians: pianist Kristian Bezuidenhout, violinist Arabella Steinbacher, and cellistMaya Beiser.

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Classical CD Review: The Chiara String Quartet Plays “Bartók by Heart” (Azica Records)

August 29, 2016
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The Chiara Quartet has recorded a series of gritty, compelling takes on Bartók’s seminal group of quartets.

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Fuse CD Reviews: Jan Vogler plays Tchaikovsky, Benjamin Beilman’s “Spectrum,” Kenneth Woods conducts Elgar

July 18, 2016
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Spectrum is a stylish, intelligent, and enjoyable disc played by a couple of musicians from whom we can expect big things.

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Classical CD Review: The New York Philharmonic plays Christopher Rouse (DaCapo)

July 15, 2016
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There’s a lot of music by Christopher Rouse to appreciate, ponder, puzzle over, and study in what we’ve got here.

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Book Review: Franz Liszt — Piano Man

July 14, 2016
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Hilmes’ fascination with Liszt’s public notoriety stands front-and-center in this biographical effort.

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Fuse Commentary: “The Boston Globe” Cleans House

June 16, 2016
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Arts and entertainment are one and the same, both trivial– or at least way down the pecking order when it comes to things that are genuinely important.

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CD Reviews: Schumann’s Cello Concerto, “Visions,” and Janowski’s “Ring of the Nibelungen”

June 14, 2016
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Jean-Guihen Queyras wraps up a Schumann concerto trilogy in style, pianists Christina and Michelle Naughton play with panache and color.

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Classical CD Reviews: Pygmalion’s “Rhinemaidens,” Johann Strauss’s “Der Zigeunerbaron,” and Aurora Orchestra’s “Introit”

June 12, 2016
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A superior classical music concept album, a reminder of how smart and sturdy Johan Strauss’s music can be..

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Classical CD Review: Great Performances — “Under Stalin’s Shadow,” vol. 2 (Deutsche Grammophon)

May 27, 2016
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That Shostakovich left such a musical testament is, in its own way, miraculous; and it continues to speak to us with immediacy and power.

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Classical Concert Review — A Far Cry’s “All-American” Finale

May 25, 2016
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One takeaway from the concert: music can be forward-looking and even provocative without being off-putting and ugly.

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