Jonathan Blumhofer

CD Reviews: Mascagni’s “Zanetto” and Thomson’s “Four Saints in Three Acts”

January 24, 2017
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Odyssey Opera’s first commercially-released album is a fun showcase; BMOP delivers an excellent performance of Four Saints in Three Acts.

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CD Reviews: Ken Thomson’s “Restless” and Alberto Ginastera’s “One Hundred”

January 23, 2017
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Ken Thomson’s Restless doesn’t hide from dark places or things; Oberlin Orchestra does right by Argentinian composer Alberto Ginastera.

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CD Reviews: Jerusalem Quartet plays Bartók and Heath Quartet plays Tchaikovsky

January 22, 2017
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Jerusalem Quartet’s Bartók is more elegant than hard-edged; Heath Quartet’s Tchaikovsky is vigorous and sweeping.

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Music Preview: Interview with Composer Adam Schoenberg

January 20, 2017
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Adam Schoenberg is also one of the most widely-performed living composers of orchestral music; in fact, he’s among the top-ten in that category.

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Concert Review: Cameron Carpenter at Symphony Hall

January 14, 2017
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Cameron Carpenter played the Terry Riley composition commandingly.

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CD Reviews: Lara Downes’ “America Again,” Gerstein’s Liszt, and Melnikov plays Prokofiev

December 20, 2016
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Lara Downes’ America Again is a great album, and one with multiple layers of meaning.

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CD Reviews: Berio’s “Sinfonia,” Joshua Bell’s Brahms, and Yevgeny Kutik’s “Words Fail”

December 19, 2016
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Three CD reviews, including a disc featuring Joshua Bell, Steven Isserlis, and Jeremy Denk teaming up to play less-than-barn-burning favorites by Brahms.

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Commentary: Best Classical Performances of 2016

December 16, 2016
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Picks for the top live classical performances of 2016. Feel free to agree, disagree, add to them, come up with your own list, etc.

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CD Reviews: Orchestral Music by Mason Bates — A Welcome Addition to the Canon.

December 16, 2016
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Mason Bates’ music isn’t afraid to smile. If it doesn’t always run deep, it’s at least always engaging and pleasant to encounter.

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Classical CD Reviews: Mitsuko Uchida plays Mozart, Seong-Jin Cho plays Chopin, and Hans Gal’s Piano Concerto

December 15, 2016
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Among the three CDs reviewed is a particular treat — a new recording that really, truly matters.

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