Jonathan Blumhofer

Concert Review: Russian Music by the Boston Philharmonic

February 25, 2018
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Benjamin Zander, who’s led some distinctly fine concerts in recent years, drew the best out of his band.

Classical Concert Review: BMOP celebrates Joan Tower

February 13, 2018
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Above all, Joan Tower’s music doesn’t waste your time.

Concert Review: Hub New Music in Worcester

February 6, 2018
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A stirring serving of contemporary classical music from Hub New Music.

Concert Review: Boston Symphony plays Mozart and Shostakovich

February 2, 2018
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Despite Shostakovich’s often-dissonant approach, the Fourteenth has always been highly-regarded if infrequently-played.

Classical Music CDs: Orchestral Music from “The Ring” and Michael Tippett’s Symphonies nos. 1 & 2

February 1, 2018
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The BBC Scottish Symphony Orchestra gives sold readings of two Michael Tippett symphonies.

Classical CD Reviews: Michael Tilson Thomas conducts Schumann and “The Gershwin Moment”

February 1, 2018
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The San Francisco Symphony delivers performances of chamber-like sensitivity and remarkable transparency.

Classical Music CD Reviews: Jean-Efflam Bavouzet’s Complete Beethoven Sonatas, Petrenko’s “Spring,” “Toscanini 150th Anniversary,” Teodor Currentzis’ Tchaikovsky

January 30, 2018
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A round-up that includes: irresistible Beethoven, welcome arrivals of spring, a spirited celebration of Toscanini, and spectacular, revelatory Tchaikovsky.

Concert Review: Pianist Garrick Ohlsson at Mechanics Hall

January 29, 2018
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A pianist with an uncommonly sensitive touch, Garrick Ohlsson’s playing encompasses poeticism and technical strength in just about equal measure.

Classical CD Reviews: Estonian Festival Orchestra’s Shostakovich and Andrew Manze’s Mendelssohn, vol. 2

January 29, 2018
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Paavo Järvi and the Estonian Festival Orchestra present a probing and excellent version of Shostakovich’s Symphony no. 6.

Classical CD Reviews: Prokofiev’s “Cantata on the 20th Anniversary of the October Revolution” and “Music of the Americas”

January 26, 2018
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It’s not Prokofiev at his finest, but his “very good” was above just about everybody else’s best.

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