Jim Kates

Poetry Introduction: Handle With Readerly Care – “The Porcupine of Mind”

February 3, 2013
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Consider these few notes my handing The Porcupine of Mind off to you — you read it, you write about it, then we’ll come back and talk.

Poetry Review: Flowers for the Motherland — “A Bouquet of Czech Folktales”

January 15, 2013
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In 1853, the Czech scholar Karol Jaromír Erben published “A Bouquet of Folk Tales,” which became a source-book for artists and composers, and “one of the three foundational texts of Czech literature.”

Poetry Review: Yvan Goll’s “Dreamweed” — Visions of a Shape-shifter

November 16, 2012
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Yvan Goll may be the great shape-shifter, the Zelig, of twentieth-century poetry.

Theater Review: “Rounding Third” — A Funny But Predictable Turn at Bat

September 1, 2012
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“Rounding Third” flounders most when it tries to get serious. Luckily, it doesn’t try very hard, and delivers considerable amusement.

Poetry Review: Jane Shore’s “That Said” — Early and Late

August 24, 2012
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If the poems in “That Said: New and Selected Poems” had been ordered differently, the volume would have made more of its virtues.

Book Review: “The Barcelona Brothers” — A Nasty Piece of Spanish Noir

August 22, 2012
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International noir novels no longer revolve around exotic police procedurals or gimmicky detective stories. They aim to pound readers into the pavement.

Theater Review: A Sweet and Contagious “Present Laughter”

August 18, 2012
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Actor Jack Koenig never flags in the Peterborough Players production of “Present Laughter,” and around him in his London studio-flat swirls a churning world of impertinent employees and past and present loves that would do Kaufman and Hart proud.

Theater Review: “The Admirable Crichton” Entertains Via a Sprightly Stiff Upper Lip

August 4, 2012
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“The Admirable Crichton” premiered in 1902, but the Peterborough Players bring this comedy about class division off admirably — as classy theater, not anthropology.

Theater Review: A Madcap “39 Steps”

July 21, 2012
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Patrick Barlow’s script and Chuck Morey’s direction of the Peterborough Players production turn “The 39 Steps” into a madcap, Marx-Brothers-style of zaniness barreling along at farce-speed until the very last moments.

Theater Review: “I Do! I Do!”— Predictable Musical Sentimentality

July 7, 2012
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You leave the matrimonial musical “I Do! I Do!” humming its banalities.

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