Arts Fuse Editor

Television Review: “Passing” — The Tragedy of Race and Space

November 10, 2021
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After nearly a century, the fierce psychological nuance of Passing remains as relevant as ever.

Letter from New York — Dresden Treasures, and Lots of Picasso

November 10, 2021
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New York has come back to life, so there is more art to see than anyone has time to visit or write about.

Book Review: “The Wrong End of the Telescope” — A Stunning Achievement

November 8, 2021
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This is a wonderful novel about a pressing humanitarian subject, Syrian refugees and the people who helped, as well as an exploration of identity and loss and triumph.

Rock Preview: The Welcome Return of The Slip

November 8, 2021
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It seems the right time for The Slip to answer the perennial calls for a reunion.

Film Review: “The Electrical Life of Louis Wain” — Do Englishmen Dream of Electric Cats? One Did.

November 7, 2021
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This wholly original period piece crackles with energy, humor, and pathos.

Opera Album Review: The Great Polish National Opera “Halka” Gets a Spirited and Shapely New Recording

November 6, 2021
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Halka struts its stuff, impressively, in this new recording with an all-Polish cast conducted by internationally renowned Gabriel Chmura.

Theater Review: “BLKS” — Fun, Heartbreaking, and Thought-Provoking

November 5, 2021
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BLKS is a bouncing, romping, profanity-laced, and sex-filled roller coaster — but it also has an important message for those who are not Black femme sisters

Classical Album Review: Manfred Honeck Conducts Brahms and MacMillan

November 5, 2021
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Manfred Honeck and the Pittsburgh Symphony have ways of digging into the music and providing new perspectives on it such that their recordings are, by and large, can’t-miss events.

Film Interview: Foster Hirsch on “Otto Preminger: The Man Who Would Be King”

November 4, 2021
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“I’m hoping people will revisit Otto Preminger’s movies because he made some of the best films ever made in America.”

Film Review: “Spencer” — Royal Damsel in Distress

November 4, 2021
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This portrait of Princess Diana interweaves facts with fantasies to create an impressionistic profile of a troubled woman trapped in a golden cage.

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