Arts Fuse Editor
Peter Neumann has written a compelling historical study that focuses on the tumultuous concatenation of a number of imaginative and dynamic thinkers.
David Bowie’s Toy is a solid, enjoyable, and buoyant effort from an artist who never failed to stay interesting and vital well into his later years.
This is an opulent and ambitious historical drama, as attentive to small intimate scenes as it is to grandiose action sequences.
The composer of Cavalleria rusticana brought his sense for characterization and drama to the all-too-plausible tale of a woman victimized by a cad.
A suspenseful, finely-crafted historical thriller that reminds us that the triumph of evil depends on good men doing nothing.
For prog fans who consider that the proof of the pudding is long, complex songs with virtuosic solos and exotic instrumentation, no fear: To The Far Away is multi-textured and musically exciting.
At times, Laurel Hell’s withering fatigue is directed at the clash between commodification and art.
Seeing Eleanor Antin’s 100 Boots all in one place is exciting — this work of “postal art” is still explosive. Fred Sandback’s minimalist pieces offer a quiet contrast.
With the eyes of the world on Ukraine right now, two films at Sundance came from that country, or what used to be that country.
Tenor Mathias Vidal shines, as does the period-instrument orchestra, in the rarely heard, trimmer version of 1761, on the Chateau’s own new award-winning label.
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