Arts Fuse Editor
Shakespeare’s text has been streamlined for easy consumption on a summer’s evening — there’s no intermission, lots of physical comedy, and a party vibe.
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New recordings serve up fine performances of music from Latin America, Brazil, and post-1918 England. And a novel sends its main character back two centuries into Mozart’s The Marriage of Figaro.
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American-ness in music is impossible to define and constantly in flux, yet the threads that connect it all together – at once beautiful, tragic, humorous, ironic, whimsical – are all somehow recognizable.
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Taken together, this is a release that showcases both the Rotterdam Philharmonic Orchestra and its chief conductor – as well as their repertoire choices – in a brilliant light.
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Angus Robertson has written a thoroughly enjoyable history of Vienna that is both accurate and entertaining.
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“Music here is great, cutting edge. But to get an audience anywhere you need to get covered … Promoting is a struggle, dealing with the lack of media coverage.”
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Albare Plays Jobim: A Tribute to Antonio Carlos Jobim is a traditional Brazilian offering, content to offer soothing Bossa Nova rhythms; Freedom is more unconventional, merging Brazilian beats with jazzier improvisations.
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A music aficionado-turned-record producer shares his indelible memories of life on the road and in the studio, working with such artists Sleepy LaBeef, Irma Thomas, James Booker, Solomon Burke, Buckwheat Zydeco, and Ruth Brown.
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Thankfully, there is no melodramatic black-and-white in James Kallembach’s fascinating 36-minute work, first performed at Boston University by the Lorelei Ensemble in 2017.
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Arts Appreciation: Long Overdue — Homage to Julius Eastman, Fierce Black Queen Iconoclast
Scorned and consigned to oblivion in his day, Julius Eastman is finally being celebrated for his unabashed talent and the sheer audacity of his inimitable genius. Brava diva!
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