Arts Fuse Editor
There’s little doubt at this point regarding the 26-year-old guitarist’s talent for pulling multiple influences into one cohesive, original sound.
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The Shores of Bohemia is clearly a labor of love, and a worthy one. But John Taylor Williams’ idea of “a group portrait,” however attractive, proves impossible to pull off.
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The Rose Kennedy Greenway’s Dewey Square mural program is one of the best in the world.
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Action and kids film director George Miller goes the adult fantasy route.
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Three recent documentaries explore the worlds of three masters of disparate but complementary art forms: photography and cinema, sculpture and painting, and toilets.
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It is always heartening for an album to live up to its much-anticipated buildup. It is even more reassuring that, after nearly four decades, The Goo Goo Dolls are breaking new ground.
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Poet John Koethe moralizes in an abstract “universal” space — some might call it versifying in a vacuum.
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An opera from Fascist Italy, Gino Marinuzzi’s Palla de’ Mozzi receives a splendid world-premiere recording. Should you listen despite its pedigree?
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“Farewell” is the shortest album in the series, but it is perhaps the most provocative in the way it calmly muses, philosophically, on the form that togetherness can take – as it exists and as it dissolves.
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This is one of those 75-minute plays where you have to remind yourself to breathe.
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