Arts Fuse Editor
Arts Fuse critics select the best in film, theater, music, dance, visual arts, and author events for the coming week.
In A Swedish Love Story, Roy Andersson muses on the meaning of life, but for the first and last time he expresses his sense of life’s absurdity through an accessible plot line.
Cinderella isn’t a lavish spectacle à la the Met, but rather, like its heroine, modest on the surface while pulsing with a generous heart underneath.
The overriding theme in Roy Andersson’s films is the conflict between human frailty and our delusions of control.
One thing I’ve learned in years of being a Rush fan: Nobody ever changes their mind on this band.
He came up with one of those transcendent Richard Thompson moments, one to match anything I’ve seen onstage this year.
Arts Fuse critics select the best in film, theater, music, dance, visual arts, and author events for the coming week.
The best of Kageyama Kōyō’s photography contains a nuanced dramatic power that is both aesthetic and political.
Dance Commentary: Misty Copeland, Ballet, and Race
Tomorrow, Misty Copeland will be American Ballet Theatre’s first African-American ballerina to perform the lead role in Swan Lake in New York City.
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