Arts Fuse Editor

Fuse Theater Review: “The Absolute Brightness of Leonard Pelkey” — Shine On

August 30, 2015
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James Lecesne’s one-man show delivers just what it promises….a lot of laughs and a few tears as well.

Fuse Concert Review: J. Geils Band and Ian Hunter — Funky Humor, Street Wisdom, and Sweaty Groove

August 29, 2015
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You could walk from Inman Square to Harvard, see Muddy Waters or John Lee Hooker play, and have your whole worldview changed.

Fuse Book Review: The Decision Not to Have Kids — Examined and Defended

August 26, 2015
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This anthology is thought-provoking and often moving; a spearhead into a relatively undiscussed new demographic.

TV Commentary: Jon Stewart — He Told Us to Put the Bong Down

August 26, 2015
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There’s no question Jon Stewart had the attention of millions but, all kidding aside, was he a part of the political game or just a color commentator?

Book Review: “The Wake” — When England Stopped Being English

August 25, 2015
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More than a mere novel, The Wake is really a medieval epic poem to an English way of life that would be erased forever.

Theater Review: “The Road to Where” — A Powerful Musical Memoir

August 25, 2015
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A friendly energy runs through the heart of The Road to Where, a tangible and inviting companionship.

Theater Review: “Lady Macbeth and Her Lover” — Three’s a Crowd

August 24, 2015
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Lady Macbeth and Her Lover is a determinedly somber play that tries to attain the feel of classic tragedy.

Visual Arts Review: Clifford Ross at MASS MoCA — Reinventing the Sublime

August 23, 2015
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The artist knows that beauty, and even the sublime, on their own terms are not enough to cut it in the competitive field of contemporary art.

Fuse Coming Attractions: What Will Light Your Fire This Week

August 23, 2015
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Arts Fuse critics select the best in film, theater, music, dance, visual arts, and author events for the coming week.

Theater Review: “Waitress” the Musical — An Enjoyable Slice of Down-Home Self-Discovery

August 23, 2015
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A few quibbles aside, the musical Waitress plays and sounds like it’s close to ready for the Broadway big time.

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