Arts Fuse Editor

Concert Review: The Flamin’ Groovies—A Half-Century in the Trenches of Coolness

November 27, 2015
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The Flamin’ Groovies in a nutshell — doubling as a rock institution and the best party band in town.

Visual Arts Review: “Native Fashion Now”—Tradition and Cutting Edge, Superbly Balanced

November 27, 2015
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Even without museum commentary, Native Fashion Now is an important show – visually, socially, and politically.

Fuse Film Review: “Trumbo”—Un-American Activities in Hollywood

November 27, 2015
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Trumbo is content to be a potted history lesson rather than a thought-provoking work of art.

Visual Arts Commentary: The Black Mountain College Exhibition at the ICA—A Conventional Look at the Unconventional

November 25, 2015
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I was not fully satisfied by the constraints of the exhibit, but I enjoyed seeing the work of those who made up the Black Mountain College community.

Dance Review: Twyla Tharp’s Gold Mine

November 25, 2015
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I saw the anniversary evening as being about Twyla Tharp’s perennial themes and preoccupations.

Fuse Coming Attractions—November 22–December 2: What Will Light Your Fire This Week

November 22, 2015
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Arts Fuse critics select the best in film, theater, dance, music, visual arts, and author events for the coming week.

Theater Review: “Who Would Be King”—A Bible Story Retold, Entertainingly

November 19, 2015
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Liars and Believers have been creating, conceptualizing, and rehearsing this show for eighteen months—and the seasoning has paid off.

Music Interview/CD Review: Langhorne Slim’s “Spirit” is Moving, Come Hell or High Water

November 19, 2015
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The Spirit Moves is imbued with a sense of rebirth, emotional and creative, that pairs well with Langhorne Slim’s trademark barn-burning intensity.

TV Review: “Master of None”—Aziz Ansari’s Masterful New Show

November 17, 2015
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Master of None is an exercise in emotionally intelligent storytelling that delves into the real lives of its characters.

Film Review: “The 33″—Truth is More Frightening Than Fiction

November 16, 2015
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Avoiding overly melodramatic images, The 33 is a true horror story on screen, one that we can identify with in the deep, fearful recesses of our collective subconscious.

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