Arts Fuse Editor
Leonard Cohen wrote with a mature poet’s sense of compression and depth.
How Soft the Lining brings considerable emotional power to bear on its exploration of the complexities of American history.
Bill T. Jones considers himself an heir of the postmodern dancers.
Craig Atkinson’s incendiary new documentary provides sobering food for thought on the rise of police brutality and intimidation in America.
Reviews of a trio of films at the Boston Jewish Film Festival.
Adventurous, exciting, and thought provoking, Aurea is dedicated to an interdisciplinary vision of the arts.
Technology is becoming a tool for artists to mastermind aesthetic and social interventions.
Arts Fuse critics select the best in theater, visual arts, film, music, author events, and dance for the coming week.
Giraldi was enticed by the fraternity of the gym as a way of filling out and firming up both his body and his sense of self.
Mark St. Germain’s drama is not about Cold War politics, but the question of whether a great man is (or need be) a good man.
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