Arts Fuse Editor

Film Review: “The Salesman” — The Limits of Empathy

February 9, 2017
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Director Asghar Farhadi’s most stringent judgments generally fall upon members of his own sophisticated, worldly cohort.

Book Review: “The Feud” — Brilliant Literary Frenemies

February 8, 2017
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Alex Beam generates interest via his portrait of frenemies Edmund Wilson and Vladimir Nabokov as brainy but flawed human beings.

Music Preview: Drive-By Truckers — Triumphantly Defiant

February 6, 2017
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It’s almost as important to see the Drive-By Truckers show at the Royale as to join a march in the streets outside.

Music Preview/CD Review: Valerie June — Learning to Master the “Order of Time”

February 5, 2017
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Singer Valerie June lays down an impressive vocal marker with her new album.

Film Review: “The Autopsy of Jane Doe” — Death Becomes Her

February 3, 2017
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At first,The Autopsy of Jane Doe comes off as a sort of small town crime thriller, but it slowly evolves into what feels like a bonafide horror film.

Book Review: “Hope in the Dark” — An Homage to Community

February 2, 2017
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Now, more than ever, It’s worth being reminded of our natural potential for good.

Theater Review: “Trans Scripts, Part I: The Women” — An Evening of Powerful Journeys

February 2, 2017
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This is a script with an exquisite sense of balance; Trans Scripts, Part I is thoughtful, informative, honest, and playful, all at once.

Theater Review: “Really” — An Absorbing Confrontation With Memory

February 1, 2017
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Company One’s production of this unconventional work is absorbing: this is the kind of exciting theater that we need to see more often.

Visual Arts Review: Virtual Reality Art — Not Ready for Prime Time

February 1, 2017
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Worse, humor and irony have no place in this show’s version of virtual reality.

Dance Review: Jessica Lang Dance — Flowing with the Go

January 30, 2017
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I like to see dances that are somehow all of a piece. Hope this doesn’t mean I’m sinking into some kind of retro-fogeyism.

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