Arts Fuse Editor

Film Review: “The Trip to Spain” — Out of Decadence, Epiphany

August 18, 2017
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We want to see how looming middle age is treating these two friends, whose intersecting careers and self-images shape their relationship.

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Book Review: Richard A. Posner — A Rare Judge Who Tells Us How He Really Feels

August 14, 2017
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Why didn’t a legal mind as brilliant as Richard Posner’s get to the Supreme Court? One suspects his candor and bluntness.

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Coming Attractions: August 13 through 31 — What Will Light Your Fire

August 11, 2017
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Arts Fuse critics select the best in film, dance, visual arts, theater, music, and author events for the coming weeks.

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Preview: NH’s Hopkins Center — Helping to Create and Showcase the Performing Arts

August 11, 2017
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The Hop, as it is known, is more than a collection of performance venues; it plays an active role in developing art and artists.

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Visual Arts Interview: “Modern Fossils” — Skeletal Glimpses of the Future?

August 8, 2017
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When I saw images of the sculptures made by Christopher Locke — a series entitled Modern Fossils — I was stunned

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Film Review: “I Called Him Morgan” — A Superb Jazz Documentary

August 8, 2017
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I Called Him Morgan has been lauded as one of the best films of the year, and rightfully so.

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Film Review: “Lost in Paris” — Earthy Yet Surreal Fantasy

August 6, 2017
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Dominique Abel and Fiona Gordon’s vision tries to elevate the everyday to a realm of magic by way of the absurd.

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Visual Arts Commentary: The Berkshire Museum Violates Ethics to Sell 40 Works for $50 Million

August 5, 2017
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Why is The Berkshire Museum a sinking ship?

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Visual Arts Review: The Design Language of Ettore Sottsass — at 100

August 5, 2017
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Ettore Sottsass saw design as more than just an aesthetic achievement: it ideally served up an indelible experience.

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Book Interview: Thomas Kitson on a Neglected Gem of Russian Modernism

August 3, 2017
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Iliazd is more interested in working through all the possible reasons that generate behavior rather than grappling with issues of morality.

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