Arts Fuse Editor
In You Were Never Really Here, Lynne Ramsay’s themes of alienation, violence, guilt and redemption are once again present, albeit in a more frenetic form than before.
Iranian director Abbas Kiarostami’s last film is made up of a series of sometimes resplendent, sometimes disappointing, images.
The Rosenbergs is small in scope but large in ambition; it is an accomplished and moving opera that demands attention.
Singer Fred Farell brings an introspective sensibility to this album and has gathered a group of songs that are appropriate for his introverted and quietly aspirational lyrics.
Where will you find the best in new documentaries? In the brave new world of digital streaming.
Steven Pinker’s book is a welcome antidote to the Trump era, when we are inundated, daily, with an avalanche of negative and disturbing stories.
Celia Paul’s paintings are calm, reflective, and inviting.
No Way Home is a model for how to tell a weird, complicated story in a way that will make the reader hang on tight for the whole ride.
Pandora’s Box never tosses the reader into a roiling overload of facts and figures, but looks at the horrors of WWI from many different, illuminating angles.
The Niceties gives us an invaluable opportunity to hover outside of the current political debate about race and American history.
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