Arts Fuse Editor
Choreographer Paul Taylor leaves a repertory that sprawled from the outrageous to the sublime.
Summer Cannibals’ main virtue is its keen transmission of psychological warfare in families.
Too many cultural critics look at our past through a fuzzy filter of sentiment. Chapo Trap House tackles America’s past and present idiocies head-on in a refreshingly honest way.
Thomas Clerc’s novel reminds us of a stubborn truth: we are all narcissists that live to accumulate shit in rooms.
This smaller setting allowed for more casual ease and intimacy between the audience and the band.
Arts Fuse Jazz critic Steve Provizer responds to Dale Chapman’s book The Jazz Bubble: Neoclassical Jazz in a Neoliberal Culture.
Arts Fuse critics select the best in film, dance, visual arts, theater, music, and author events for the coming weeks.
What we don’t learn very much about is Elvis’ inner life, his motivations, and his deeper ambitions.
The film is full of salacious details from Hollywood’s heyday, but it is also a tender look at an elderly man whose current existence would be seen by many as difficult.
Arts Commentary: Conserving Cultural Heritage — the Tangible and the Intangible
Cartagena is a 500-year old urban jewel in the Caribbean. But climate change and rising sea levels threaten its heritage.
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