Arts Fuse Editor
One of the fears of poets and, I imagine, all writers, is that you’ll reach a certain age and you’ll run out of gas.
Time For Romance: But Beautiful may qualify — if I can even use the term now — as seduction music.
For most of its history, jazz has been a macho culture. Sexual ambiguity or gay-ness were subjects of derision.
Not all of the production’s choices pay off, but Hamnet is a fascinating, one-of-a-kind play that strikes at a universal sense of longing.
While Beth Genné proffers a terrific take on dance and its social context, she exhibits a shaky grasp of musical-theater history.
We need a satire that takes Trump’s radical threat more seriously than Vicuña.
All of Shirkers demonstrates the wonderfulness of making cinema. I Am Not a Witch dramatizes the mystery and solidarity of accused witches.
Stephen Adly Guirgis has written a fine play about those who would blur their minds rather than admit just how tired they are.
Arts Fuse critics select the best in film, dance, visual art, theater, music, and author events for the coming weeks.
Arts Commentary: Another View of “The Niceties”
To an extent, The Niceties does probe a fault line between the Democratic Party and the left: a boundary that will rupture sooner rather than later.
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