Arts Fuse Editor
The Clearing pulls off an impressive challenge for a historical drama: it examines humanity’s weakness in the face of prejudice in a way that is not only faithful to the time period but unmistakably timely.
L. M. Brown writes with a sure hand about men and women beset with dreams and longings, who fall in and out of love with each other, and who harbor secrets that shape their lives in unpredictable ways.
Of course, there can be no happiness in America without lots of corporate support.
Most of the films selected will be shown in 35mm, making the visual experience as invigorating to watch as the music will be to listen to.
Pakistani-born artist Huma Bhabha is still very much at the edge of edgy; Georgia O’Keeffe much less so.
This mysterious dance may have no meaning at all beyond its cryptic theatricality and movement. Or it may mean a lot.
If you’re a fan of the podcast or the magazine, you know that Arts Fuse writers are sworn adversaries of the dreaded algorithm.
MassOpera’s updated version of Die Fledermaus pulls off a major feat.
Crashing shows us how Holmes’s innate sweetness and affability carries him through the awkwardness and indignities of being a working comedian.
The Wind explores the fears that beset even strong, capable women stuck struggling for survival without community or social contact.
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