Arts Fuse Editor
Arts Fuse critics select the best in film, dance, visual art, theater, music, and author events for the coming weeks.
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This evening is a revelatory experience on race relations, with grief, rage, and the whole business of hope and change.
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These exhibitions present two very different ways of engaging with gender, both raising the question of gaze.
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James Graham’s new play almost evokes sympathy for the devil. Almost.
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Two autobiographies by women who had some experience in legitimate theater, but they each gave their strongest allegiance to dance, specifically one choreographer.
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Once much-performed, then banished from the stage by the Nazis, The Miracle of Heliane, now available in a fine new recording, is perhaps the best opera by the man who would become one of Hollywood’s leading composers.
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As Zeitgeist Stage Company closes its doors, it’s hard not to wonder, with some bitterness, what our plucky local small-scale theater troupes would be able to accomplish if they had the resources they need.
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This memoir offers an invaluable, broad look at intellectual Russia before and after the revolutions of 1917.
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Beetlejuice may not be the blockbuster its creators are hoping for, but it is occasionally humorous and rarely dull.
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Award-winning author and critic Fiona MacCarthy is out to change wrong-headed perceptions of Walter Gropius in her biography. And she succeeds.
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