Arts Fuse Editor
Chance’s The Big Day beautifully blends authentic passion with superior talent and special guests with star power.
The Nightingale delivers an indelible vision of inhumanity perpetuated by colonialism and white privilege.
This album lacks the desperation, the immediacy, the sheer power that made Sleater-Kinney essential in its original decade.
In this extraordinary recording, harpsichordist Mahan Esfahani is given a chance to perfectly convey the power of his emotions.
I left thinking that holding a blues (or a jazz) festival in every city and town would not be a bad idea. It’s a better way for municipalities to spend their money — with a surer payoff — than tax abatements for Amazon.
feels both cautionary and elegiac; it is obviously relevant in these times of extremism and the rise of small town tyrannies.
Gallim specializes in depicting raw emotions through movement.
After the Wedding never finds its emotional rhythm; melodramatic confrontations about betrayals and past choices lurch clunkily along.
Arts Fuse critics select the best in film, dance, visual art, theater, music, and author events for the coming weeks.
Following a very compelling second season, the series seems to be losing its edge, slightly, though only intermittently.
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