Arts Fuse Editor
Biographer James Kaplan was aided by the assistance of Irving Berlin’s two elder daughters, and that makes this biography particularly valuable.
At a time when Kenneth Branagh busies himself clogging up multiplexes with bombastic Agatha Christie all-star remakes, director/writer Rian Johnson revels in subversion of the genre.
But really, what is a Bob Dylan concert these days if not a case study in transformation?
The Henry Purcell Society proves that playing mad can be a lot of fun.
We are immersed for 70-minutes in a powerful evocation of the destructive culture created by men who treat women as sex objects.
What makes Marriage Story unbalanced and faintly dishonest is that we end up rooting for the clueless male egomaniac.
A script with this many characters buzzing about demands a strong cast — fortunately, Hub Theatre’s terrific ensemble is more than up to the task.
Because Eliza Griswold’s poems often take place in war zones, she’s always provocative — even when she is tendentious.
Arts Fuse critics select the best in film, dance, visual art, theater, music, and author events for the coming weeks.
Judy McKie draws on a personal mythology in which animal and plant forms become abstracted yet recognizable, anthropomorphic while remaining strangely primeval.
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