Arts Fuse Editor
We are immersed for 70-minutes in a powerful evocation of the destructive culture created by men who treat women as sex objects.
What makes Marriage Story unbalanced and faintly dishonest is that we end up rooting for the clueless male egomaniac.
A script with this many characters buzzing about demands a strong cast — fortunately, Hub Theatre’s terrific ensemble is more than up to the task.
Because Eliza Griswold’s poems often take place in war zones, she’s always provocative — even when she is tendentious.
Arts Fuse critics select the best in film, dance, visual art, theater, music, and author events for the coming weeks.
Judy McKie draws on a personal mythology in which animal and plant forms become abstracted yet recognizable, anthropomorphic while remaining strangely primeval.
Gounod was no mere purveyor of gentle sentiments. This 1881 opera, superbly performed, shows plenty of drama and grit.
Part cautionary tale about the fate of the earth, part homage to Samuel Beckett, part theatrical metaphor for dementia, X is a harrowing exploration of the human psyche.
Come From Away is more than just a rousing and heart-warming 100 minutes of theatrical entertainment. It’s a poignant reminder, and celebration, of what we’re all capable of as people.
Music Commentary: The Black Crowes — Redux?
When have the Robinsons ever done what was expected on them? And when have they ever really cared?
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