Arts Fuse Editor
Another operatic version of Oscar Wilde’s one-act love triangle that ends with the woman’s husband murdering her lover, to her enraptured delight.
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Unfortunately, no improvements to the staging will clarify dramatist David Greig’s muddled storyline.
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What you will be impressed by is the strength of the interior thinking, the detailing of the voices sorting out their confusion.
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Salome is not the only strong opera based on an Oscar Wilde play. This one-acter by Zemlinsky deserves a place in the repertoire today.
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L. M. Brown knows there are certain questions in life that we just never get the answers to. Or dare to ask.
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Les Misérables invites us to ponder, in real time, how people respond in a chaotic, dangerous situation.
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In this disc dedicated to black heroes of the Civil Rights Movement, Christian McBride insists that everyone must be free if any of us is going to be.
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I’m not sure Can You Imagine? will be able to summon back Dizzy Gillespie from the great beyond, but it’s not a bad way to pass the time while we wait.
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If one of the aims of art is to create a distinctively imaginative world, than Pass Over succeeds in generating a landscape of devastation, a hopeless place filled with gaping wounds and visible scars.
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Music Commentary: New Media, Jazz, and Camille Bertault
Camille Bertault is an uncommon talent. She has a crystalline voice, good intonation, understands the rhythmic and harmonic underpinnings of jazz and has a prodigious memory.
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