Arts Fuse Editor
This carefully-crafted chamber piece revolves about a woman whose compulsion to eat non-edible things is both fascinating and disturbing.
At its best, The Slow Rush features catchy, energetic, and danceable tracks at the service of lyrical ruminations on dark topics, such as uncertainty and the inevitable passage of time.
Dominique Morisseau’s earnest Pipeline is a “message” play, American style.
It was a treat to see Camille A. Brown & Dancers inhabit (and elaborate on) a number of different African American dance traditions with such winning ease and grace.
Listeners familiar with Lennie Tristano’s earlier work will find there are a few surprises on this disc.
Luna Nera is mainly produced and written by women and proffers a satisfyingly feminist, woman-centric aesthetic — as witch narratives seem to do more and more these days.
Arts Fuse critics select the best in film, dance, visual art, theater, music, and author events for the coming weeks.
At 21, “Kingfish” Ingram is being heralded as the blues’ brightest new star. And at his first headlining gig in Boston he earned the title.
George V. Higgins created a style that was at first revelatory, then degenerated into a tic at the end of his career.
Arts Commentary: The Show Won’t Go On. Now What?
Wall Street is getting a $1.5 trillion bailout (and counting). As usual, the arts, despite being a key economic engine, will not be so lucky.
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