Arts Fuse Editor
Music lovers should seize this rare opportunity to see Beethoven’s first (1805) version of Fidelio, complete with a reconstruction of Florestan’s original aria.
Given Dickens’ penny-a-word driven verbosity and his fondness for resolving every plot point with a flurry of coincidences, adapter McEleney seems undecided: is this history play a tragedy or a farce?
For the second straight year, the Art Fuse podcast — Short Fuse — has been named a finalist for the Somerville Media Center’s Best Boston Free Podcast of the Year Award!
Circles Around the Sun has established a distinctive niche within the expanding universe of “Grateful Dead as genre,” appealing to the core audience for Dead music without having to pull songs from the group’s songbook.
Cheryl McMahon is quietly spectacular as Ida, who tries desperately to conceal her cognitive decline behind a wall of egocentric cheerfulness that borders on the frantic.
The Lodge suggests that our money, social privilege, and carefully-crafted stability are not enough to keep the wolves from the door, or to protect us from the dangers that lurk indoors.
There’s hardly a minute in this hour-long show that isn’t stirred by singing, clapping, stomping, and drumming.
The stories in Citrus exhibit a powerful commonality: these portraits of th3e experiences of black women suggest that, over time, everything and nothing has changed.
At times, Zombi Child successfully hovers between spooky documentary and an art house coming-of-age film.
Arts Fuse critics select the best in film, dance, visual art, theater, music, and author events for the coming weeks.
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