Arts Fuse Editor

Rock Feature: Despite the Pandemic, Goose Is Flying High

November 10, 2020
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“It was a little frustrating at first, but we’re figuring out how to give music to the people that need it right now.”

Television Review: “Paranormal” — Egyptian Ghost-busting

November 9, 2020
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The spooky adventures in this Netflix/Egyptian produced series are entertaining enough to deserve a second season.

Film Review: Freud Never Asked What Men Want, “The Climb” Tells Us

November 8, 2020
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The terrific The Climb looks at bro-bonding in a way you’ve never quite seen.

Book Review: “The Silence” — Brusque Prophecy

November 7, 2020
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Many Don DeLillo fans will overlook this novella’s somewhat stilted dialogue and perfunctory erotic scenes for the sake of another taste of his dark and knowing world.

Opera Review: Paisiello’s “Le gare generose” — Italians, Quakers, and Slavery in 18th-century Boston

November 5, 2020
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The lively world-premiere recording of Giovanni Paisiello’s Le gare generose proves why the composer was in demand all across Europe.

Book Review: “Glitter Up the Dark” — Music and Our Understanding of Gender Identity

November 3, 2020
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Sasha Geffen takes on some heady ideas about music and gender performance, but they approach the subject with a nimble writing style.

Opera Review: Purcell’s “Dido” — Re-made for the Lives We are Living Now

November 2, 2020
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Coming soon to your computer or cellphone: The Boston Camerata launches a bold staged performance of Purcell’s pathbreaking opera, but in a way that keeps its cast and audience safe.

Jazz CD Reviews: Mary Halvorson and Rich Halley — Fearlessly Free

November 2, 2020
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New albums from Mary Halvorson and Rich Halley march into fresh realms of freedom.

Television Review: “How To with John Wilson” — Fascinating Adventures on the Fly

November 1, 2020
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In this brilliant series, documentary filmmaker John Wilson captures the absurdity of life in New York.

Film Review: “The Craft: Legacy” — Girls Just Wanna Cast Spells

November 1, 2020
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At a time when witchcraft — not to mention women’s issues of power, autonomy, and identity — is such a prominent part of our cultural conversation, it’s disappointing that The Craft: Legacy doesn’t weave a more satisfying spell.

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