Arts Fuse Editor
This is a lyrical work: gracefully exaggerating reality is a merit that good poetry and fantasy share.
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William Parker, the 69-year-old composer, multi-instrumentalist, author, and all-around presence on the progressive jazz scene churns out challenging music with prolific abandon.
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As the age of COVID-19 wanes, Arts Fuse critics have come up with a guide to film, dance, visual art, theater, and music. Please check with venues about whether the event is available by streaming or is in person. More offerings will be added as they come in.
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The War Is Never Over is a compelling way to appreciate the importance of a music icon, to understand why Lydia Lunch’s work matters.
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Regardless of what the future holds, Derek Trucks said that he and his bandmates are grateful for every opportunity to get back in front of live audiences.
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Mare of Easttown is particularly effective in interweaving troubled domestic timelines, families held together by women who are on the brink of psychic or emotional collapse.
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Each month, our arts critics — music, book, theater, dance, and visual arts — fire off a few brief reviews.
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Schmigadoon! is both an enjoyable love letter to classic Broadway musicals and a good-natured spoof of their now antique conventions.
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Disco! feels like the culmination of what will be seen as an early stage in MIKE’s career –– stylistic mastery achieved, a mountain summit reached.
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Visual Arts Commentary: “The Scream,” “Sunflowers,” and the “Mona Lisa” — Gone Baby Gone
Perhaps we need to call on Sherlock Holmes in order to resolve the 31-year old “no end in sight” Gardner heist?
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