Christopher Caggiano
A satirical musical that offends everyone equally hides its real argument until the final minutes.
Currently running at the Joyce Theater, “Trips” pairs classic Pilobolus works with new creations, reaffirming what has made the company one of dance’s most distinctive ensembles.
“Strange Journey” traces the origins of one of cinema’s most unlikely cults. “Time Warp” shows why it still matters.
Two beloved cult properties arrive on Broadway with formidable casts and decades of devotion behind them – but conjuring darkness turns out to be harder than it looks.
Two productions set out to reinvent Andrew Lloyd Webber’s back catalog. Only one of them succeeds.
The play is preachy. But John Lithgow is magnificent.
Daniel Okrent’s “Art Isn’t Easy” is an engaging if familiar introduction to one of theater’s most complex figures – though seasoned Stephen Sondheim devotees may find themselves wanting more.
Returning musicals take another shot at success – with very different outcomes.
Broadway is being subjected to a steady parade of Hollywood names parachuting into familiar titles, propped up by prestige directors and stratospheric ticket prices.
The Off Broadway revival demonstrates how 10 years of dedicated work can make a mediocre musical even worse.
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