Bill Marx

Theater Review: The Portrait of a 17th Century Artist as a Young Woman

October 19, 2011
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Liz Duffy Adams’ affectionate look at Aphra Behn’s rise to public prominence, despite prejudice against her gender, comes off as a sort of farcical love letter to an ink-stained ancestor that at times suggests a Shavian talk fest in a minor key.

Literature Commentary: The New Yorker Misses an H.G. Wells Anniversary Worth Celebrating

October 16, 2011
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“For an imaginative boy, the first experience of writing is like a tiger’s first taste of blood.’ — H.G. Wells, “The New Machiavelli,” 1911.

Theater Review: A Rousing Night of Burlesque at The Wrathskellar

October 9, 2011
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Given the power, glory, and fun the Boston Babydolls supply with their burlesque routines — pasties and nipple tassels whirl with furious aplomb — the lack of spooky payoff in “The Wrathskellar” amounts to a minor drawback.

Fuse Book Review: Why Do American Critics Fear Being Critical?

October 4, 2011
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A symptom of our times: two books by self-described critics that aren’t particularly critical. Informed, lucid, thoughtful, and explanatory, yes –- strongly evaluative, no

Coming Attactions in Theater: October 2011

September 30, 2011
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It is encouraging that the list of recommendations for October isn’t filled with musicals. Are straight plays back? I wouldn’t count on it in this economic climate. So let’s bask in the chance to hear words without music.

Theater Review: O Superannuated Man

September 28, 2011
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In “Delusion,” veteran performance artist Laurie Anderson generates a muted melancholy, sometimes poetic, sometimes poignant, that makes the piece a consistently compelling if not always successful addition to an ambitious body of work.

Theater Review: An Unimpressive “Next Fall”

September 25, 2011
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“Next Fall” is so anxious not to polarize or offend that it ends up as little more than well meaning. Something serious seems to be happening on stage, but for all intents and purposes the conflicts that make for genuine drama fall by the wayside.

Theater Review: A Fabulous “Candide”

September 22, 2011
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In this delightful production of “Candide,” director Mary Zimmerman imaginatively reworks and mischievously augments the musical. Her deliciously blowzy approach embraces, with charming lyrical fervor, the sheer preposterousness of Voltaire’s sardonic fable.

Book Review: In Alberto Moravia’s Creative Laboratory — “Two Friends”

September 13, 2011
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The brilliance of Alberto Moravia’s cool diagnostic vision — sleek, clear, cruel, and existential no matter how emotional the conflict — puts us off. His male protagonists often self-consciously analyze their puerility to the point of comic masochism.

Book Review: An Invaluable Testament to When Movies and Criticism Mattered

September 8, 2011
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What drives serious writing about film? “When Movies Mattered” suggests an answer: it helps for a critic to take a side, not as consumer advocate, hipster crank, or box office predictor, but as a passionate advocate for standards, often taking on the role of separating overpraised films from the unfairly neglected.

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