Austin W.

Album Review: “Soused” — Scott Walker and Sunn O))) Take a Bold Excursion into the Impossible

October 26, 2014
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Soused is such an impressive album because of its attempt to reconcile opposing aesthetic ends.

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Album Review: B L A C K I E — Conflating the Barbaric and the Beautiful

August 26, 2014
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Imagine Yourself in a Free and Natural World finds B L A C K I E reaching an ambitious artistic high, delivering potent pieces of jazzy discord that impressively conflate the barbaric and the beautiful.

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CD Review: Shabazz Palaces’ “Lese Majesty” — Out-of-This-World Hip-Hop

July 28, 2014
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Some listeners are undoubtedly going to dismiss Lese Majesty as a collection of vignettes or motifs, formless for all intents and purposes. That would be a shame.

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Fuse CD Review: Underground Music Round-Up

July 2, 2014
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Here are a handful of underground/alternative music releases worth your consideration.

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Television Review: “Louie” at Season Four — Art House TV

June 19, 2014
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Louie is a difficult show to advertise because it is the only example of art-television at the moment.

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Fuse Music Round-up: The Year in Alternative Music … So Far

June 7, 2014
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There have been three pop LPs this year that I’ve really been digging: they are gloriously wacky.

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Rock Review: Two Neo-Psychedelic Oddities — Outlandish Sonic Journeys Worth Taking

May 28, 2014
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These challenging LPs offer opposing, but equally thrilling, aural/cinematic adventures: one is an overblown grindhouse flick, the other a wondrous fantasy feature.

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CD Review: Swans — “To Be Kind” is Some Kind of a Masterpiece

May 10, 2014
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I love an album that ends with a bang – and The Swans’ To Be Kind ends with four.

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Music Review: The Proud Evolution of Liars — from “They Threw Us All in a Trench and Stuck a Monument on Top” to “Mess”

April 3, 2014
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The dazzling LP “Mess” proves that the band Liars has not half-heartedly made the switch to electronic music.

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Rock Album Reviews: Two Recent Examples of High Grade Black Metal

March 12, 2014
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The two best black metal LPs of the past few months come from the Netherlands’ An Autumn for Crippled Children and Poland’s Behemoth.

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