Weekly Feature: Poetry at The Arts Fuse
Welcome to “Poetry at The Arts Fuse.” A new poem every Thursday
sunrise, 500 b.c.e.
in our early hours
before the Sun rose
the ocean gurgled
with trepidation
tides crawling forward
in the depths of night
we stood at the edge
where the seafoam gripped
dry sand and seashells
abandoned by cold
indecisive flows
the tide forgot them
when it slinked toward
the center of Hell
and the building of froth
elicited warning
of their resurrection—
the martyrs once fated
to cold damnation
in fiery second birth
the Saints of Hell smile
in cracks of daylight
our feet were in the deep
end of a black tide pool
when the dead angels rose
over the horizon
and the day was there
something from nothing
all after nothing
we don’t know who lifts
the Sun from the sea
and drowns the Moon in day
how do they suffer
watching over us?
two halves of a whole—
red clay and water
make one pottery
our mortality
serves as testament
the sickly envy
of gods forever
chasing their lovers
across opposite skies
forcing us to be
sorry for their sins
it is so uncertain
if they have sinned at all—
but we know who pays
the price for accusation
someday when my love
is carried away
in the turn of the tide
i will look to her face
written in the pocked lune’s
hollow craters and know
why the Sun burnt herself
out chasing blue moonsets
for billions of years
and i will mourn with her
the way a hermit mourns
it’s broken turban shell
or how beach gulls fall
on snapped keratin legs
with wings flapping wild
the shattered edges
too small to see.
Tess Riordan was born and raised on Cape Cod, Massachusetts. Most of her inspiration comes from nature, especially the shoreline. She expects her bachelor’s degree in English from Bridgewater State University in May 2025, Her work has previously appeared in The Bridge.
Note: Hey poets! We seek submissions of excellent poetry from across the length and breadth of contemporary poetics. See submission guidelines here. The arbiter of the feature is the magazine’s poetry editor, John Mulrooney.
— Arts Fuse editor Bill Marx