Music
Mogwai’s explosive sound has inspired numerous bands around the world, including in the Boston area.
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Stripped of trip-hop trappings, Beth Gibbons’ fragile voice commanded through a ghostly filter effect as she sang with edgy emotion, peaking in the tagline, “How can it feel this wrong?”
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Despite – or maybe because of – all the global turmoil, an awful lot of compelling music was heard at Big Ears.
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The apocalyptic overtones of the Mekons’ music come across as alarmingly real as ever.
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Three powerful albums showcase the imaginative visions of Arturo O’Farrill, The John Santos Sextet & Friends, and Rachel Therrien’s Latin Jazz Project.
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Guest conductor Dima Slobodeniouk and the Boston Symphony Orchestra invited listeners to a meditative evening of music.
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The Sphinx Virtuosi is terrific: the group’s unified tone and articulations, impeccable responsiveness and technique, and command of stylistic nuance are all of the first rank.
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With so many cooks, flaws were inevitable. But the effort was noble, and hearing Terence Blanchard’s beautiful trumpet sound in Symphony Hall was a transcendent experience.
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Roger Clark Miller’s latest solo electric guitar ensemble album showcases him at his best, blending avant-garde experimentation with familiar guitar rock textures.
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Everyone who loves jazz, or makes a living somewhere in its world, owes a debt to many of the hard-working and under-paid writers of the Jazz Journalists Association (JJA).
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