Tim Francis Barry
There’s a looseness, a jagged brio that gives the images in ¡Printing the Revolution! a visual bang — a kind of primal pop.
Long live Fluxus, with its questionable boxes of ephemera, its baggy bags of soil, and its mad prankster sensibility.
Like Nina Antonia and Robert Clark, Mark Doty deftly interweaves personal narrative with his literary concerns.
Pakistani-born artist Huma Bhabha is still very much at the edge of edgy; Georgia O’Keeffe much less so.
Book Commentary: Why University Presses Matter in New England