Steve Provizer

May Short Fuses – Materia Critica

May 9, 2021
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Each month, our arts critics — music, book, theater, dance, and visual arts — fire off a few brief reviews.

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Arts Coverage Commentary: A Conversation with Ted Gioia About New Approaches to Publishing

April 26, 2021
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“I don’t work the system anymore, except as a last resort: I aim instead to bypass it. The better I have gotten at circumventing gatekeepers, the more successful my writing career has been.”

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Arts Commentary: Shuttered Venue Operators Grant — To the Rescue

April 14, 2021
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We want to hear the music and see the show — so sharpen your pencil and get that dough.

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Music Commentary: The Seven Ages of Jazz-Kind

March 28, 2021
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With apologies to the Swan of Avon.

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Cultural Commentary: Arts Institutions, Unions, and the Pandemic

March 11, 2021
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It behooves audiences to be aware of how workers in the arts organizations they frequent are treated and whether management is operating in good faith.

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Jazz Special Feature: Chick Corea (1941-2021) — Memories and Impressions

March 5, 2021
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Fuse critics pay homage to Chick Corea performances and recordings that they found memorable.

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March Short Fuses – Materia Critica

March 1, 2021
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Each month, our arts critics — music, book, theater, dance, and visual arts — fire off a few brief bursts of criticism.

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Music Feature: Two Musicians on Dealing with the Pandemic –Jennifer Slowik and Yahuba Torres

February 14, 2021
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“Individual stories are the single most important component of any collective, and your story matters more than you can know.”

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Book Review: “The Making of the American Creative Class” — Unions, Their Rise and Fall

January 29, 2021
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This history of union activity among white-collar workers in New York City tells an illuminating story about creative labor’s effort to be treated with respect by the powerful.

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Book Review: “This Is Bop” — A Biography of Jon Hendricks, Master of Vocalese

December 22, 2020
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This biography provides a solid look at Jon Hendricks’s life and career; a well-rounded picture that is neither a hagiography nor a hatchet job.

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