Sarah Osman
The Big Payback doesn’t exhibit a clear slant either way: it simply tells the tale of how a bill asking for reparations came to be, along the way highlighting how past injustice shapes present inequities.
If dancing around as a giant CGI monster makes someone happy, then that is enough to make me happy. Let’s embrace what makes us different and do what we love.
Were we able to watch all the new TV shows we wanted to in 2022? Hell, no! But here are some favorites.
The People We Hate at the Wedding is far from one of the best entries in the comic wedding canon.
Sometimes, cartoons should just be aimed at kids. The Soccer Football Movie has no pretensions: this is a glorious goof fest that draws on the hallowed tradition of slapstick comedy.
Based on the YA series by Soman Chainani, The School for Good and Evil offers little that is new about the adventures of discontented adolescents.
Ramy’s drama takes a backseat to those of his relatives and friends, and that ends up expanding the reach and power of the series.
Reboot is a razor-sharp sitcom about the world of sitcoms and represents Steven Levitan’s triumphant return to comedy.
Faleeha Hassan’s assessment of the damage America caused — through the ‘good intentions’ of regime change — may surprise many who depended on the mainstream media to learn about what happened in Iraq.
This prequel is the rare instance of a horror film, in this case a prequel, that is better than its predecessor.
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