Sarah Osman
It’s refreshing to watch a teen series where the characters are not trying to solve a murder, venture into a parallel universe, or become possessed by an evil force.
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Rejoice, my fellow musical theater geeks, Apple TV’s Schimgadoon! is once again taking center stage.
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Pro wrestling fans will undoubtedly love how Monster Factory takes them behind the scenes, but even those who have never watched the sport will find the docuseries intriguing.
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You don’t see this often on commercial TV: a nihilistic expose of consumerism.
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The Big Payback doesn’t exhibit a clear slant either way: it simply tells the tale of how a bill asking for reparations came to be, along the way highlighting how past injustice shapes present inequities.
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If dancing around as a giant CGI monster makes someone happy, then that is enough to make me happy. Let’s embrace what makes us different and do what we love. Read More
Were we able to watch all the new TV shows we wanted to in 2022? Hell, no! But here are some favorites.
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The People We Hate at the Wedding is far from one of the best entries in the comic wedding canon.
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Sometimes, cartoons should just be aimed at kids. The Soccer Football Movie has no pretensions: this is a glorious goof fest that draws on the hallowed tradition of slapstick comedy.
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Based on the YA series by Soman Chainani, The School for Good and Evil offers little that is new about the adventures of discontented adolescents.
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Film Anniversary: From Punchline to Plausibility — The 50-Year Transformation of “Soylent Green”