Rob Ribera

Album Review: When Nobody/Everybody is Listening – The Basement Tapes

November 21, 2014
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It may seem a bit like overkill, and in many ways it is, but that all depends on your perspective.

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Film Review: The Films of Werner Herzog on Blu-Ray — Essential Viewing

August 12, 2014
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em> Director Werner Herzog has repeatedly taken us to places where few moviemakers have dared to venture; this Blu-Ray set is an essential addition to any serious film collection.

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Book Review: Before, During, and After — A Look Back at Patriotic and Paranoid American Cinema

July 18, 2014
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Informative new books look at a pair of tumultuous periods in American history — the Second World War and the Cold War — when Hollywood rode a particularly rocky political roller coaster.

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Dance Review: Boston Ballet’s “Pricked” — Building Blocks

May 12, 2014
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Carrying cacti around the stage in boxes and placing them on their heads and in predictably suggestive positions, the Boston Ballet dancers looked like they were having a blast

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Television Review: “Louie” Redux — Better Than Ever

May 7, 2014
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Louis C.K.’s “Louie” is a master class in straddling highbrow and lowbrow.

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TV/DVD Review: The Complete “Hill Street Blues” — A Groundbreaking Cop Show Untarnished by Time

May 2, 2014
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The complete “Hill Street Blues” is a godsend for those eager to venture beyond “Law and Order” and “CSI” dynasties.

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TV Review: “Fargo”: or, Do Contract Killers Get Bored and Create Chaos for Fun?

April 15, 2014
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“Fargo” creates its own world of crime and moral conundrums while delivering a fair share of blood. Whether the TV series delivers on its promise to be in the same aesthetic world as the original movie is an open question.

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Music Interview: Billy McCarthy of Augustines — Doing Strong Work

March 4, 2014
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“It seems now that quality spreads through reputation — the live show is where we really see bands pull away from the pack. It takes quality now to survive. Strong work.”

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Dance Feature: Boston Ballet’s “Close to Chuck”

March 1, 2014
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Surrounded by the gilded ornamentation of the Boston Opera house, the three minimalist pieces that make up “Close to Chuck” could not be any more of a contrast.

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Visual Arts Preview: Nick Cave and William Kentridge at the ICA

February 7, 2014
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Both of these exhibitions challenge our very notions of time and identity and the social structures around us.

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