Photography

Visual Arts/Film Review: “Elliott Erwitt — Silence Sounds Good” — Far From Dull

September 2, 2020
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Aside from making generalities about “making good photographs” and “earning a living,” celebrated photographer Elliott Erwitt steadfastly refuses to be drawn out.

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Film Review: “Helmut Newton: The Bad and the Beautiful” — Naughty or Nice?

July 24, 2020
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In this documentary, the photographer and his art are not so much defended as explained through the voices of the world’s top models and movie icons with whom he worked.

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Visual Arts Review: “Landmarks” at Williams College Museum of Art — Losing Your Way

March 1, 2020
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The Ruskinian mantra of “truth to nature” was eventually upended by the development of digital imagery and the agile manipulations of Photoshop.

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Visual Arts Review: Clifford Ross at MASS MoCA — Reinventing the Sublime

August 23, 2015
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The artist knows that beauty, and even the sublime, on their own terms are not enough to cut it in the competitive field of contemporary art.

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Visual Arts Review: Photographer Rose Marasco — The Search for Juxtapositions

June 16, 2015
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Rose Marasco’s strong sensibility is always at work, searching for contrasts to capture in her photos.

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Visual Arts Review: Photographer Gordon Parks — Return to Fort Scott

April 25, 2015
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Back To Fort Scott, a compact, affecting exhibition of meticulously printed black and white photographs, is like a grainy, retro speed bump between the museum’s adjacent galleries.

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Visual Arts Review: Duane Michals — Photography as Amazement

April 10, 2015
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The photographer and the exhibition both make much of his outsider status and radical departure from the classic, reserved aesthetics of American art photography.

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Visual Arts Review: “The Dying of the Light” — An Elegy for the Beauty of Celluloid

August 11, 2014
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This engaging exhibition features the work of 6 artists who meditate on the demise of the analog film image, exploring celluloid’s “particular visual, material, aural, and even metaphoric characteristics.”

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Visual Arts Review: At the MFA — Bruce Davidson’s Dramatic Vision of ’60s Harlem

May 20, 2013
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Despite the show’s darkness, “East 100th Street”‘s exploration of Harlem in the ’60s is in many ways a testament to the endurance of love.

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Film Review: Bert Stern — Original Madman

May 5, 2013
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What about Bert Stern, the artist? He deserves credit for bringing fashion photography into the modernist moment in the late 1950s and early 1960s.

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