Peg Aloi
1899‘s excellent design work makes this series an opulent and memorable visual odyssey.
Were we able to watch all the new TV shows we wanted to in 2022? Hell, no! But here are some favorites.
The second season of The White Lotus is decidedly darker than the first, and the air of decadence and luxury is overshadowed by a disturbing aura of danger, even evil.
The Midnight Club contains all the ingredients necessary for a perfect spooky season binge: a Gothic mansion, extremely disaffected yet self-aware young people, moody cinematography, and gorgeous interiors, including the coolest library you’ve ever seen.
In addition to being a clever paranormal thriller, Something in the Dirt is a brilliant commentary on our burgeoning world of content creation.
A wrap-up of the London Film Festival that focuses on two favorites, Inland and The Store.
Flux Gourmet occasionally reminded me of the films of Peter Greenaway, who often juxtaposed the grotesque or disturbing with the beautiful and ethereal.
Creator Neil Gaiman has said for years that he didn’t want an adaptation to be made unless the creative team could do the original justice. Well, justice has been done: this is a seismic cultural event.
This series presents a compelling perspective on the relativity of determining crime and punishment.
WATCH CLOSELY: Post-Emmy Recommendations
Television is the new art cinema, chock full of superb examples of storytelling across multiple genres.
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