Peg Aloi
Alice, Darling is a potent reminder to women that they should trust their instincts — and rely on their friends.
I’m going to try out a new format in 2023. Along with posting longer reviews of single series, I will also be experimenting with a new (weekly!) format where I include several features in one column.
For viewers weary of horror that embraces the minimalist and dystopian, The Pale Blue Eye — chock-full of emotion, mystery, and romance from a bygone era — is a welcome sight indeed.
1899‘s excellent design work makes this series an opulent and memorable visual odyssey.
Were we able to watch all the new TV shows we wanted to in 2022? Hell, no! But here are some favorites.
The second season of The White Lotus is decidedly darker than the first, and the air of decadence and luxury is overshadowed by a disturbing aura of danger, even evil.
The Midnight Club contains all the ingredients necessary for a perfect spooky season binge: a Gothic mansion, extremely disaffected yet self-aware young people, moody cinematography, and gorgeous interiors, including the coolest library you’ve ever seen.
In addition to being a clever paranormal thriller, Something in the Dirt is a brilliant commentary on our burgeoning world of content creation.
A wrap-up of the London Film Festival that focuses on two favorites, Inland and The Store.
Arts Feature: Best Movies (With Some Disappointments) of 2022
Our demanding critics choose the best films (along with some disappointments) of the year. And there is plenty of disagreement.
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