Peg Aloi
The apocalyptic mayhem is glorious and certainly cathartic. Still, I have to ask: is this how women will rise up and take what’s ours? With violence?
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I was blown away by how good After We Leave looks, its subtlety and plausibility and confident simplicity.
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Among this group of strong animated shorts I found the French selection, Mémorable, to be the most powerful and artful.
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Where will the coven go from here? Its pivot away from patriarchy echoes the growing resistance of women the world over — and that is a powerful message indeed.
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To move from a bucolic beginning to a surreal, chaotic climax, and then to an elegiac epilogue — that, in my book, is the sign of a well-crafted horror film.
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Les Misérables invites us to ponder, in real time, how people respond in a chaotic, dangerous situation.
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This BBC/Netflix production is an audacious rekindling of the undying appeal of literature’s most famous vampire.
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Artful films like Just Mercy remain necessary — these are the kind of stories our troubled nation needs to hear if we are to move forward.
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The film’s modulated softness, its moments of quiet heartfelt sorrow, are testaments to a feminism that rejects political anger in order to embrace sisterly compassion.
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We are seeing some very fine horror these days. You can’t throw a (fire) stick without having it land in some rotting corpse, a spooky cave, or in a serial killer’s cup of coffee.
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Arts Commentary: Rich in Creativity — But Nothing Else