Peg Aloi
In Fabric is a mesh of black comedy, horror, and art house psychedelia. I found it wildly original.
Peter Keough has edited a useful, insightful, and delightful new collection of short essays that explore films that appeal to adults who seek childlike glee or awe at the movies.
Though the story’s events are set in the present, the Gen X music feels right, coming as it does from an era when fear, decadence, and moral hypocrisy also dominated our culture.
There are few films these days that feel like such a familiar and sorely-needed balm for stressful times.
Marianne is one of the slickest horror series I’ve seen on Netflix.
If Castle Rock is intended to be a commentary on Trump’s not-so-great America, well, what better genre than horror to spread the angst?
Like Breaking Bad, El Camino subtly suggests that justice is a relative concept.
This clever Japanese zombie film is a spirited attempt to blow up and reinvigorate the genre.
Linda Ronstadt was every young female singer’s aspirational goddess: if you could nail “You’re No Good” or “Blue Bayou” in the car or the shower, you had practiced a lot.
Film Feature: Best Movies (With Some Disappointments) of 2019
Our demanding critics choose the best (and the most disappointing) films of the year.
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