Kirsty Bell’s psychological-cultural-topographical-historical walking tour of Berlin is an idiosyncratic delight.
In Home Reading Service the literary and the illiterate rub shoulders, and we are given a vision of people tentatively emerging from behind walls.
The Anomaly is an entertaining philosophical critique, suggesting that nothing is as it seems, knowledge is imperfect, and the human predicament will perhaps always be more inexplicable than we can admit to ourselves.
This is a timely novel, a lament for the multicultural harmony that has disappeared from Mesopotamia as well as a dire warning: fundamentalism is on the rise, not just in the Middle East but in the West as well.
Marc Petitjean seamlessly moves from describing intimate scenes to discussing Frida Kahlo’s art and its significance.
This consistently interesting novel adds an unforgettable dimension to an historical event about which we thought we knew all there was to know.
In more pedantic hands, Little Dancer Aged Fourteen could easily have been a tedious and frustrating read. Instead, despite the dense and ultimately inconclusive source material, the book is continuously fascinating.
It’s worth pointing out that Sabahattin Ali has deliberately reversed traditional gender roles in Madonna in a Fur Coat.
This slender memoir reads like a rambling conversation with a literary stranger you meet on a train.
Rupert Thomson’s Never Anyone But You is a quiet, expert, and inestimably engaging novel.