Onyx
It is serendipitous that James Ehnes added Brahms’ two viola sonatas to his repertoire; Patrick Messina, Lise Berthaud, and Fabrizio Chiovetta’s new recording of Bruch’s “8 Pieces for Clarinet, Viola, and Piano” serves the piece admirably.
The album is a welcome appendix to the conductor’s admirable symphonic cycle with this orchestra, as well as a timely reminder of Vaughan Williams’ compositional range.
Two exquisite sopranos bring us refreshing songs, arias, and cantatas; and a noted Broadway composer and a remarkable Black librettist offer a searing opera about police brutality.
Violinist James Ehnes and pianist Andrew Armstrong’s Beethoven violin sonatas feel and sound absolutely right; Quatuor Ébène’s comes up with one of this anniversary year’s few, true benchmark releases; Nikolai Lugansky’s traversal of three of Beethoven’s late piano sonatas is often admirable.
Classical Album Reviews: Petrenko conducts Elgar, Britten’s “Saint Nicolas,” and “Italian Postcards”
One of Vasily Petrenko’s most successful Elgar releases; there’s an edge to the Crouch End Festival Chorus’ performance of Britten’s Saint Nicolas ; Quartetto di Cremona’s new album is nothing if not overflowing with Mediterranean personality
Immortal Beloved is a CD that will appeal to lovers of fine singing and to people curious about some hidden corners of Beethoven’s output.
Vasily Petrenko’s Elgar disappoints, Edward Gardner’s Mendelssohn excites, and Alain Lefévre’s Paris is delights.
Violinist Viktoria Mullova supplies one of the year’s most programmatically-cohesive and thoughtfully-executed albums.
Andrew Manze and the RLPO have turned in one of the year’s great albums: potent, lyrical, haunting, and timely.
A round-up that includes: irresistible Beethoven, welcome arrivals of spring, a spirited celebration of Toscanini, and spectacular, revelatory Tchaikovsky.
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