Body and Soul generates a whirligig of passions — joy, frustration, pleasure, and rage.
Re-envisioning and performing this beloved classic ballet with dancers that identify as disabled seems to me to be the definition of courageous.
Community is what I miss most of all the pandemic’s deprivations—doing stuff with others.
This terrific performance was the grand finale from a beloved dance festival doing its best under enormous pressure.
Did Jacob’s Pillow want to remind us, now more than ever, of a famous phrase from a 1848 Shaker song: “Tis the gift to be simple, tis the gift to be free.”
It was a treat to see Camille A. Brown & Dancers inhabit (and elaborate on) a number of different African American dance traditions with such winning ease and grace.
The amazing Bereishit Dance Company asks how dance fits into the physical world.
The dance revolution of the 1960s and 70s seems to be making a comeback as dancers think about making their performances less artificial, more “natural.”
We are immersed for 70-minutes in a powerful evocation of the destructive culture created by men who treat women as sex objects.
Black + White from the Fernanda Ghi Dance Company was provocative, dramatic, and oh-so-mysterious.