The dance revolution of the 1960s and 70s seems to be making a comeback as dancers think about making their performances less artificial, more “natural.”
Jessica Lockhart
Dance Review: “Object.” — Objectifying Women, Intensely
We are immersed for 70-minutes in a powerful evocation of the destructive culture created by men who treat women as sex objects.
Dance Review: Fernanda Ghi Dance Company — Passion, Fury, and Enigma
Black + White from the Fernanda Ghi Dance Company was provocative, dramatic, and oh-so-mysterious.
Dance Review: Red Sky Performance — A Stunning Look into the Origins of Things
Red Sky Performance’s hold-your-breath physicality provides plenty of “wow factor.”
Dance Review: “Gallim” — Extremes of Stress and Release
Gallim specializes in depicting raw emotions through movement.
Dance Review: “Significant Others: Dances for Family, Friends and Lovers” — Through the Lens of History
In this piece, Peter DiMuro asks a vital question: how has history informed the ways we look at queerness today?
Dance Review: “Full on Forsythe” — Revolutionary
William Forsythe asks dancers to go beyond their mastery of technique — in order to have the music move audiences to a higher level of emotional involvement.
Dance Review: Prometheus Dance @ 30
The question is whether this evening of dance was supposed to be engaging or enraging — or both.
Dance Review: City Ballet of Boston’s Urban Nutcracker — A Marvelous Mash-up
This entertaining version of The Nutcracker reflects Boston’s rich multicultural diversity.