Italian

Visual Arts Review: The Erratic Eroticism of Francesco Clemente’s “Encampment” at MASS MoCA

July 21, 2015
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It is a conundrum for the critic: is the crudeness of the rendering the result of an expressionist style or a lack of finesse or skill in rendering?

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Book Review: “When the Night” — A Memorably Icy Love Story

May 11, 2012
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In spare, exact prose Cristian Comencini lets this story unfold against an Alpine setting that is so vivid it, too, becomes a character in this strangely compelling novel.

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Theater Review: Carlo Goldoni’s Classic Comedy Goes Mod

May 4, 2012
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The Broadway run of The National Theatre’s production of One Man, Two Guvnors, based on The Servant of Two Masters by Carlo Goldoni, has been nominated for 7 Tony Awards. Here is Fuse Critic Ian Thal’s review of the National Theatre Live broadcast of the British production, first posted in September, 2011.

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Book Review: Niccolò Ammaniti’s “Me and You” — a lightly charming, digestible morsel

January 27, 2012
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Italian writer Niccolò Ammaniti usually writes with an unadorned style about moral predicaments of the young in small-town Italy. “Me and You,” a slender effort in all respects, covers this ground as well, with the difference that fourteen-year-old protagonist Lorenzo Cumi is from an affluent Roman family.

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Book Review: In Alberto Moravia’s Creative Laboratory — “Two Friends”

September 13, 2011
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The brilliance of Alberto Moravia’s cool diagnostic vision — sleek, clear, cruel, and existential no matter how emotional the conflict — puts us off. His male protagonists often self-consciously analyze their puerility to the point of comic masochism.

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World Books Update: October 2009

October 9, 2009
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By Bill Marx A number of new pieces on World Books since the last update in September, including my podcast interview with Benjamin Moser about his biography of Clarice Lispector (1920-1977) entitled “Why This World” from Oxford University Press. The Brazilian writer’s challenging stream-of-consciousness technique, lack of political bite, physical beauty and, Moser argues, her…

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