Israeli Stage

Theater Review: “Ulysses On Bottles” — Floating More Questions Than Answers

April 17, 2015
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Tragedy isn’t when evil triumphs, but when good becomes entangled in its own inevitable contradictions.

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Theater Review: “Make My Heart Flutter” — The Father of Israeli Drama Looks at the Foolishness of Infatuation

November 13, 2014
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To its considerable credit, Make My Heart Flutter is more existential, literary, and weird than most American comedies.

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Theater Feature: Savyon Liebrecht — In Residence at Israeli Stage With Two Plays About Freud and his Family

April 13, 2014
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Dramatist Savyon Liebrecht was recently in the Boston area for a residency with Israeli Stage — two of her scripts, both dealing with Freud and his legacy, received their world premieres here as workshop productions.

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Theater Review: “Hard Love” — A Timely Exploration of a Bitter Religious Rift

February 25, 2014
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Motti Lerner’s characters succeed in making both the secular and ultra-religious life appear rewarding and believable.

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Fuse Theater Interview: Israeli Playwright Motti Lerner on Catharsis, Tikkun, “Hard Love,” and Protesting a Play Without Reading the Script

February 19, 2014
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“The working relationship is based on the mutual feeling that all three of us have the same understanding of the purpose of the theatre – to present plays that create a cathartic experience for the spectator, which might open his eyes and his heart to a new consciousness.”

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Theater Interview: Stage Director Melia Bensussen on “Hard Love,” and “The Cherry Orchard”

February 18, 2014
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“There is a struggle in love in the best of circumstances, and when on top of the daily challenges there are divisions of culture or society or simply of invented categories – well, that does make it all the harder.”

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Theater Review: Israeli Stage Brings “The Whore From Ohio” to Boston

November 16, 2013
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“The Whore From Ohio” is a provocative reminder that the same creature that is born to eat, drink, copulate, rot, and die is also a creature that dreams, tells stories, contemplates its own existence, and attends the theater.

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Theater Feature: Israeli Stage Presents a Deliciously Amusing “Oh God”

October 1, 2013
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Oh God meets all of Guy Ben-Aharon’s criteria for Israeli Stage.

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Stage Review: A Pleasurably Formulaic “Best Friends” Via Israeli Stage

May 22, 2013
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Anat Gov does a fine job on the meta-playwriting level. “Best Friends” is a genre piece that is also an affectionate commentary on the genre to which it belongs.

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Theater Interview: Israeli Dramatist Joshua Sobol on the Shock of “Sinners”

February 6, 2013
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“As a white atheist male I am told it is none of my business to deal with what‘s going on in the so-called de-colonized societies enforcing their religious laws on their citizens.” — Joshua Sobol

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