In the coming week there will be screenings of a variety of horror films from over the decades — you choose how you want your spine tingled. And don’t forget to dress up
That Rubber fails to accomplish much of interest is really a shame. Call it a waste of potential: this film is, perhaps in spite of itself, sharply current—an ideal cinematic concept of the Internet age, self-consciousness gone a muck. Rubber. Directed by Quentin Dupieux. At Kendall Square Cinema. By Taylor Adams French director Quentin Dupieux’s […]
In this compelling stage version of “Frankenstein,” urgency of revenge pushes forward, murder upon murder. Creature and Doctor merge in immorality. Both are playing God in their command of life and death. Sharing roles is the meaning of this theatrical experience. This is their message and their show.
German author Ernst Weiss’s nightmarish vision of science gone mad in his 1931 novel Georg Letham is not rote Freudian; it is firmly in the social critique/ apocalyptic Darwinian mode.